Numi Solomons
Artist Bio
Rediscovering drawings I made on a trip to Mexico focussed my attention on the circularity of time as viewed in pre-Hispanic cultures in Meso-America. Using pictographic and mathematical elements in both the ritual and yearly Mayan calendars coincide with my current ceramic practice.
Combining ancient symbols with atomic shapes that I have been making recently to juxtapose the way that time can be viewed.Making cogs and horological imprints to maintain the cyclical, ever moving concept. This is not merely a linear progression but a dynamic interplay between past, present, and future
Selected Work
Name: Time Marches On
Ceramic wall-based timekeeping sculpture, hand-cut with impressed symbols to form varied shapes. Glaze colours reference hours from my sky photographs, sunrise to sunset. Twelve raised glazed posts symbolize hours but are scattered, reflecting celestial movements— Sun, Moon, and planets—observed and valued in Mayan timekeeping and cosmology.
The painting/cutout is based on a photo from the 1930s when constructing skyscrapers became a strong drive, and the competition to build the world’s tallest building was fierce. I used this image as a symbol of human desire. I replaced the ridiculous-looking hats in the photo with more recent tall buildings, indicating ongoing development and devastation to our environment, using a lone frog to represent nature.
Medium: Mixed Media/Cutout on board (framed)
Size: 66cm x 86cm framed, (60cm x 80cm unframed)
Year: 2024